Future generations will look back on the 20th Century as the time of genocide and rock and roll. The extent of this genocide is almost beyond belief: not just the 20 or so million killed systematically by Nazi Germany and a similar number by the Japanese Empire, but also the 45 million killed in China’s ‘Great Leap Forward’, the 10 million in the contrived famines associated with the ‘collectivisation’ of agriculture in the Soviet Union, and millions in Cambodia, Armenia, Nigeria, Rwanda, and many other places. Industrial scale warfare resulted in tens of millions more deaths, with new ‘weapons of mass destruction’, starting with poison gas devised by the German Empire in the First World War, and nuclear and biological weapons introduced to the world by the USA. Agent Orange, which was used by the USA in Vietnam, resulted in half a million deaths and millions of disabilities, increased risk of diseases such as cancer, and birth defects among the civilian population.
How can we explain this utter horror, this evil? The source of evil has been attributed through the ages to the devil or to devils. In Hollywood, the devil is portrayed as a deformed and deranged monster. This is a comforting depiction because it suggests that the source of evil lies outside ourselves, and that normal people are incapable of evil unless seduced into it by an alien being. This depiction of the devil as alien easily slides into xenophobia, leading people to believe that their society can be cured of evil if only they are able to eliminate foreigners, blacks, jews, communists, or some other defined minority.
But there is another quite different vision of the devil - the devil as a gentleman, suave, charismatic and persuasive, and very much one of us. This is the version that appears in one of the 20th Century’s greatest rock and roll songs ‘Sympathy for the Devil’, written by Mick Jagger and Keith Richards in 1968 and recorded by the Rolling Stones. In this song, Lucifer proclaims his wealth and taste. Like sophists everywhere, he argues for moral relativity: “Just as every cop is a criminal, and all the sinners saints”, and for universal self-blame: “I shouted out ‘Who killed the Kennedys?’, when after all it was you and me.” Yet at the root is a love of death and despair: “I watched with glee as your kings and queens fought for ten decades for the gods they made”.
This is a lot of work for one devil, and it is not surprising that many sources (such as Milton’s Paradise Lost) identify a pandemonium of devils, each of which characterises a particular kind of evil. These include Mammon, who exalts wealth, persuading us to feast while others starve. Beelzebub represents the arrogance of power, tempting those in high office to crush their rivals to maintain personal supremacy. Astaroth is the devil of accusers and inquisitors - those who enforce conformity with torture and death, while Moloch is the demon of religious cruelty, persuading those with religious faith to stone miscreants to death, burn unbelievers at the stake and crash aeroplanes into skyscrapers. Finally, there is Belial, who works to stir up lies and hatred, and “loves vice for itself”.
Belial, like all the other devils, walk among us, or rather pass by us in their chauffer-driven cars and their private jets. They run giant chains of ‘news media’ which promote pornography and inculcate hatred of their political rivals, they manage wealthy corporations which employ workers in the Third World on starvation wages and pollute the landscape, they go to war in the name of security and ensure those they capture are tortured and murdered. They glory in personal power and crush and destroy others as an act of pleasure. They succeed because we are weak and easily impressed by ‘wealth and taste’.
How can we explain this utter horror, this evil? The source of evil has been attributed through the ages to the devil or to devils. In Hollywood, the devil is portrayed as a deformed and deranged monster. This is a comforting depiction because it suggests that the source of evil lies outside ourselves, and that normal people are incapable of evil unless seduced into it by an alien being. This depiction of the devil as alien easily slides into xenophobia, leading people to believe that their society can be cured of evil if only they are able to eliminate foreigners, blacks, jews, communists, or some other defined minority.
But there is another quite different vision of the devil - the devil as a gentleman, suave, charismatic and persuasive, and very much one of us. This is the version that appears in one of the 20th Century’s greatest rock and roll songs ‘Sympathy for the Devil’, written by Mick Jagger and Keith Richards in 1968 and recorded by the Rolling Stones. In this song, Lucifer proclaims his wealth and taste. Like sophists everywhere, he argues for moral relativity: “Just as every cop is a criminal, and all the sinners saints”, and for universal self-blame: “I shouted out ‘Who killed the Kennedys?’, when after all it was you and me.” Yet at the root is a love of death and despair: “I watched with glee as your kings and queens fought for ten decades for the gods they made”.
This is a lot of work for one devil, and it is not surprising that many sources (such as Milton’s Paradise Lost) identify a pandemonium of devils, each of which characterises a particular kind of evil. These include Mammon, who exalts wealth, persuading us to feast while others starve. Beelzebub represents the arrogance of power, tempting those in high office to crush their rivals to maintain personal supremacy. Astaroth is the devil of accusers and inquisitors - those who enforce conformity with torture and death, while Moloch is the demon of religious cruelty, persuading those with religious faith to stone miscreants to death, burn unbelievers at the stake and crash aeroplanes into skyscrapers. Finally, there is Belial, who works to stir up lies and hatred, and “loves vice for itself”.
Belial, like all the other devils, walk among us, or rather pass by us in their chauffer-driven cars and their private jets. They run giant chains of ‘news media’ which promote pornography and inculcate hatred of their political rivals, they manage wealthy corporations which employ workers in the Third World on starvation wages and pollute the landscape, they go to war in the name of security and ensure those they capture are tortured and murdered. They glory in personal power and crush and destroy others as an act of pleasure. They succeed because we are weak and easily impressed by ‘wealth and taste’.
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